The Sun brought me on board to edit content for Fabulous Magazine. I worked on several formats with them, but this was the project I had the most fun cutting.

The series was unscripted and documentary-style, with no strict shot list, so every episode was about finding the story in the footage.

I was supported by an edit assistant who managed the ingest, leaving me to focus on the cut itself: editing, VFX, music, and pacing. Deliverables included a main version for YouTube and shorter teaser versions for Facebook and Instagram.